We have selected a few of the dances from the AGM program to review this week. These dances should be the ones that are least familiar.
Our summer class begins next week. The dances for that class will be posted on our web site. Ottawa Dance Scottish So, please check there for the dances.
Video: The Silver Tassie This was taken from a social so the dancing isn't the best but it will give you an idea of the dance
Video Miss Johnston of Ardrossan From the Ottawa branch ball in 2007. Again not the best dancing but you can get and idea of the dance
Video: Miss Johnston of Ardrossan From Vancouver. Another social dance but it has a difference camera angle
Video: Lord Elgin's Reel From a social dance in Texas. Unfortunately, the first couple doesn't know the dance and makes a few mistakes. (Aside: I would ask them to step back from their partners. Just not enough room to really stride out and dance.)
The Silver Tassie
RSCDS Leaflet – No. 1
(Strathspey)
MUSIC DESCRIPTION
Bars
1 – 4 1st, 2nd and 3rd couples, giving right hands to partners, cross over and joining hands on the sides, set.
5 – 8 Repeat bars 1 – 4.
9 – 16 1st couple dance a figure of eight round 2nd couple, who stand still. 1st couple dance down between 2nd couple, crossing over, to begin the figure. 3rd couple also dance a figure of eight round 2nd couple, beginning by casting up to top place, then dancing down crossing over.
17 – 24 1st couple, followed by 2nd and 3rd couples, dance down the middle for four steps. 1st couple dance up the middle, while 2nd and 3rd couples divide to allow 1st couple through. 2nd couple meet and dance up between 3rd couple, who then meet and dance up.
25 – 32 1st and 2nd couple Rondel, i.e.
25 1st couple dance down under the arch made by 2nd couple, who dance up.
26-27 2nd and 1st women cross in front of partners, then all cast to meet the other woman or man on the opposite sides and join nearer hands.
28 2nd and 1st women and at the same time 2nd and 1st men cross to own sides, the women passing under the arch made by the men.
29-30 1st man and 1st woman cross in front of 2nd man and 2nd woman, then all cast to meet partners in original places as in bar 25.
31-32 1st couple dance under the arch made by 2nd couple and all dance out to own sides, having changed places.
Repeat, having passed a couple.
Devised by John Drewry
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Manual of Scottish Country Dancing:
Bars 17 – 24 1st, 2nd and 3rd couples give nearer hands throughout, i.e. they dance down and dance up.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TACNotes:’
17-24 Note use of word “dance”, i.e. all 3 cpls use nearer hands, down and up.
25-32 On bar 32, cpls dance straight into places.
MISS JOHNSTONE OF ARDROSSAN
14 Social Dances for 2000, by Roy Goldring
32 bar reel for 5 couples
Bars
1 – 4 1st couple set and cast off one place. 2nd couple step up on bars 3 – 4.
5 – 8 1st couple, followed by 3rd couple, dance up between 2nd couple and cast off. 1st couple finish in 3rd place, 3rd couple finish in 2nd place.
9 – 16 1st, 4th and 5th couples dance reels of three on the sides. To begin:- 1st couple cross down to 4th place, 4th couple dance out and up, 5th couple dance in and up.
17 – 24 1st, 3rd and 2nd couples dance reels of three on the sides. To begin:- 1st couple cross up to second place on own side, 3rd couple dance out and down, 2nd couple dance in and down.
25 – 28 1st couple set and cast off one place. 4th couple step up on bars 27 – 28.
29 – 32 1st couple, followed by 5th couple, dance up between 4th couple and cast off. 1st couple finish in 5th place, 5th couple finish in 4th place.
Repeat from new positions
Note: 1st couple should begin and end each reel in 3rd place in the sidelines.
Tune: The Ardrossan Hornpipe by Muriel Johnstone
LORD ELGIN’S REEL
RSCDS Book 26 No. 5
(Strathspey)
MUSIC. DESCRIPTION.
1 – 4 First man sets to second woman and turns her with both hands.
5 – 8 First woman sets to second man, and turns with both hands.
9 – 16 First couple, giving right hands, lead down, cross over below second couple, cast behind third couple, lead up to the top, cross, cast off and cross to face first corners.
17 – 24 First couple turn first corner with right hand, dance ½ round partner passing right, turn second corner with left hand and pass partner by left. They finish, first woman between second couple facing down, first man between third couple facing up.
25 – 32 Joining hands 3 and 3 (Fig.) all 6 advance 1, retire 1, twice. Then turn with two hands 1 ¼ times to second place on own side.
Tune: Lee Mills Marshall
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TACNotes:’
15-16 2nd cpl step up.
REST AND BE THANKFUL
The Grampian Collection of Scottish Country Dances by Jack McConachie
Longways Sets in Reel time for 4 (or 5) couples — 3–couple dance — 32– Bar sequence.
STEPS: “Skip change” step throughout.
Bars
1 – 4 First couple, giving right hands, cross over and cast off one place on the opposite side. Second couple move up on Bars 3 – 4.
5 – 8 First couple, giving left hands, cross over and first lady casts up round second lady, while first man casts off round third man, to finish beside their 1st Corner.
9 – 12 First couple, holding their 1st Corner in Promenade position on their right, leads them round behind their 2nd Corner and places them in the opposite 1st Corner position. At the same time the 2nd Corners Advance towards each other and Retire.
13 – 16 First couple turn each other with left hands to finish beside their 2nd Corner. (Turn strongly for one and a quarter times.)
17 – 20 First couple, holding their 2nd Corner in Promenade position on their right, leads them round behind their 1st Corners (who are on the wrong side) and places them in the opposite 2nd Corner position. At the same time the 1st Corners Advance towards each other and Retire.
21 – 24 First couple turn each other with left hands to finish facing their usual 1st Corner position (first lady faces third lady while first man faces second man).
25 – 28 First couple dance a half Reel of Four diagonally across the Set with their 1st Corners —first couple, passing by the right to begin, curve by their right round the 1st Corner position, while the Corners pass each other by the left in the middle to their own sides.
29 – 32 First couple, passing each other by the right in the middle, dance a half Reel of Four diagonally across the Set with their 2nd Corners—again passing by the right to begin, then crossing over by the right to finish in 2nd place on their own sides.
First couple repeat from the 2nd place and cross by the left, down between fourth couple, to the bottom. Each couple repeat in turn as first couple.
Wednesday, May 9, 2012
Wednesday, May 2, 2012
Dances for May 3, 2012
Here are the dances for this week. Again we are reviewing the dances for the Beginner Ball on Saturday. If we get through all these dances the only one we will not have covered this week and last is Braveheart. We did Braveheart recently on April 12, 2012
A DANCING CAREER
or
A DANCE IN KOREA
THE GREENBURN BOOK, A Collection of Scottish Country Dances by JOHN DREWRY, 1997 – 1998
devised in September 1997 for Campbell and Isobel Barclay of Kippford and for the dancers in Korea
Jig – 2 couples – 32 bars
BARS
1 – 4 1st couple, joining nearer hands, dance down between 2nd couple and then cast up back to place.
5 – 8 1st and 2nd couples dance right hands across.
9 – 16 1st couple dance a figure of eight round 2nd couple’s places. At the same time, 2nd couple set to each other, cross giving right hands, set on opposite sides and cross back to own sides giving right hands. 2nd couple stay facing out.
17 – 20 1st couple lead down the middle and 2nd couple dance up on the sides to first place and then follow 1st couple down the middle.
21 – 24 2nd couple, followed by 1st couple, lead up the middle and stay in the middle ready for
25 – 32 2nd and 1st couples dance a two-couple promenade.
Repeat, having passed a couple.
Granville Market
RSCDS Second Book of Graded Scottish Country Dances
32-bar jig for three couples in a four-couple longwise set
Bars Description
1 – 8 1st and 2nd couples dance right hands across and left hands back.
9 – 12 1st couple, giving right hands, cross and cast off one place. 2nd couple step up on bars 11-12.
13 – 16 1st couple dance a half figure of eight up around 2nd couple. 1st couple finish facing first corners.
17 – 18 1st couple, giving right hands, turn first corners.
19 – 20 1st couple pass each other in the middle by the right to face second corners.
21 – 22 1st couple, giving right hands, turn second corners.
23 – 24 1st couple pass each other by the right to finish in second place on own sides.
25 – 32 2nd, 1st and 3rd couples dance six hands round and back.
Devised by Elinor M Vandegrift, RSCDS Seattle Branch.
Granville Market is on Granville Island in Vancouver, B.C.
Inscribed to the children and organisers of the Vancouver Branch Children’s Scottish Country Dance workshops. It was presented at Vancouver Branch’s Whistler Weekend, May 1985.
Jimmy’s Fancy
RSCDS Book 14 – No. 11
32-bar strathspey for three couples in a four-couple longwise set
Bars Description
1 – 8 1st and 2nd couples dance right hands across for three steps and left hands back. 1st couple cast off one place on own sides while 2nd couple dance up to first place.
9 – 16 1st woman with 2nd couple, 1st man with 3rd couple dance three hands round and back. 1st couple finish facing first corners.
17 – 24 1st couple set to and turn corners to finish between them.
25 – 32 1st couple lead down between 3rd couple, cross over to own sides, cast up round 3rd couple, dance up between 2nd couple and cast off to second place on own sides.
Repeat, having passed a couple.
Thompson’s Compleat Collection of 200 Favourite Country Dances c. 1755.
Original tune: Lord Seaforth (Surenne)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TACNotes: 29-30 Nearer hand lead up.
THE MAD HATTER
Happy to Meet
A three couple, 32 bar jig for four couples in a longwise set.
1 – 8 First couple dance down between second and third couples with nearer hands joined, cast up round third couple, dance up between second couple with nearer hands joined and cast off into second place. Second couple move up on bars 7-8.
9 – 12 First couple advance and retire with first corners.
13 – 16 First couple dance back to back with first corners.
17 – 20 First couple advance and retire with second corners.
21 – 24 First couple dance back to back with second corners.
25 – 32 Second, first and third couples dance six hands round and back.
Repeat having passed a couple.
“The Mad Hatter” was devised by Iain Boyd.
Wisp of Thistle
RSCDS Book XXXVII No.4
(Strathspey)
Music Description
Bars
1 – 4 1st and 3rd couples dance “Petronella turns” into the middle of the dance (1st man and 3rd woman back to back) and set to partners.
5 – 8 1st and 3rd couples dance a half reel of four.
9 – 10 3rd and 1st couples dance “Petronella turns” to own sides. (3rd couple are in first place and 1st couple in third place.)
11 – 12 3rd, 2nd and 1st couples set joining nearer hands on the sides.
13 – 16 3rd, 2nd and 1st couples turn partners with right hand to finish ready for allemande.
17 – 24 3rd, 2nd and 1st couples allemande.
25 – 28 1st couple cross over giving right hands and cast off one place. 2nd couple step up on bars 27–28.
29 – 32 1st couple dance a half figure of eight round 2nd couple.
Repeat, having passed a couple.
Note: At the end of their second turn at the dance, 1st couple finish the half figure of eight by dancing down to fourth place while 4th couple step up to third place on bars 31–32.
Choreographed by Pat Kent in honour of Her Majesty Queen Elizabeth, the Queen Mother, who, when she had seen the Scottish Country dancers perform in the Tattoo in Nova Scotia, stated that they looked like “wisps of thistle”.
Devised by Pat Kent (Nova Scotia Branch).
THE MOUNTAIN STREAM
Graded and Social Dances 3, devised by Roy Goldring
32 bar Reel for 2 couples
Bars
1 – 8 1st woman and 2nd man set twice then turn with right hands. They finish in place.
9 – 16 1st man and 2nd woman set twice then turn with left hands. They finish in place – 1st man facing out.
17 – 24 1st man, followed by his partner, casts behind 2nd man, crosses up between 2nd couple, casts behind 2nd woman and crosses to 2nd place on own side.1st woman finishes in 2nd woman’s place. 2nd couple step up on bars 23-24.
25 – 32 2nd and 1st couples dance right hands across and left hands across.
Repeat having passed a couple.
Tune: Miss Jean Donaldson’s Hornpipe (Traditional – James Walker 1st Collection)
THE PIPER AND THE PENGUIN
The Scotia Suite of Scottish Country Dances devised by Roy Goldring
(Reel for Four Couples in a Square Set)
Bars Description
1 – 4 The women dance round their corners, passing in front of them to begin.
5 – 8 The women dance right hands across and remain in the centre.
9 – 12 The women dance round their partners, passing in front of them to begin.
13 – 16 The women dance left hands across and finish in original places.
17 – 32 The men repeat bars 1–16, but dance in front of partners before dancing right hands across, and in front of their corners before dancing left hands across.
33 – 36 1st and 3rd couples, giving right hands, turn partners one and a quarter times.
37 – 40 1st man, followed by his partner, dances between 4th couple and cast back to place. Similarly, 3rd couple dance between 2nd couple and cast back to place.
41 – 48 1st and 3rd couple dance rights and lefts.
49 – 64 2nd and 4th couples repeat bars 33–48, 2nd couple dancing between 1st couple and 4th couple dancing between 3rd couple.
65 – 72 The women dance in and pull back right shoulders (2 bars), dance out (2 bars), and cast clockwise half way round the set to opposite woman’s place.
73 – 80 The men repeat bars 65–72, but pull back left shoulders at the end of bar 74, and cast anticlockwise.
81 – 84 All turn partners with the right hand, just over once round, to finish in promenade hold facing anticlockwise.
85 – 88 All promenade halfway round the set. On bar 87, all release right hands and the men lead their partners to original places ready for the bow and curtsey.
A DANCING CAREER
or
A DANCE IN KOREA
THE GREENBURN BOOK, A Collection of Scottish Country Dances by JOHN DREWRY, 1997 – 1998
devised in September 1997 for Campbell and Isobel Barclay of Kippford and for the dancers in Korea
Jig – 2 couples – 32 bars
BARS
1 – 4 1st couple, joining nearer hands, dance down between 2nd couple and then cast up back to place.
5 – 8 1st and 2nd couples dance right hands across.
9 – 16 1st couple dance a figure of eight round 2nd couple’s places. At the same time, 2nd couple set to each other, cross giving right hands, set on opposite sides and cross back to own sides giving right hands. 2nd couple stay facing out.
17 – 20 1st couple lead down the middle and 2nd couple dance up on the sides to first place and then follow 1st couple down the middle.
21 – 24 2nd couple, followed by 1st couple, lead up the middle and stay in the middle ready for
25 – 32 2nd and 1st couples dance a two-couple promenade.
Repeat, having passed a couple.
Granville Market
RSCDS Second Book of Graded Scottish Country Dances
32-bar jig for three couples in a four-couple longwise set
Bars Description
1 – 8 1st and 2nd couples dance right hands across and left hands back.
9 – 12 1st couple, giving right hands, cross and cast off one place. 2nd couple step up on bars 11-12.
13 – 16 1st couple dance a half figure of eight up around 2nd couple. 1st couple finish facing first corners.
17 – 18 1st couple, giving right hands, turn first corners.
19 – 20 1st couple pass each other in the middle by the right to face second corners.
21 – 22 1st couple, giving right hands, turn second corners.
23 – 24 1st couple pass each other by the right to finish in second place on own sides.
25 – 32 2nd, 1st and 3rd couples dance six hands round and back.
Devised by Elinor M Vandegrift, RSCDS Seattle Branch.
Granville Market is on Granville Island in Vancouver, B.C.
Inscribed to the children and organisers of the Vancouver Branch Children’s Scottish Country Dance workshops. It was presented at Vancouver Branch’s Whistler Weekend, May 1985.
Jimmy’s Fancy
RSCDS Book 14 – No. 11
32-bar strathspey for three couples in a four-couple longwise set
Bars Description
1 – 8 1st and 2nd couples dance right hands across for three steps and left hands back. 1st couple cast off one place on own sides while 2nd couple dance up to first place.
9 – 16 1st woman with 2nd couple, 1st man with 3rd couple dance three hands round and back. 1st couple finish facing first corners.
17 – 24 1st couple set to and turn corners to finish between them.
25 – 32 1st couple lead down between 3rd couple, cross over to own sides, cast up round 3rd couple, dance up between 2nd couple and cast off to second place on own sides.
Repeat, having passed a couple.
Thompson’s Compleat Collection of 200 Favourite Country Dances c. 1755.
Original tune: Lord Seaforth (Surenne)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TACNotes: 29-30 Nearer hand lead up.
THE MAD HATTER
Happy to Meet
A three couple, 32 bar jig for four couples in a longwise set.
1 – 8 First couple dance down between second and third couples with nearer hands joined, cast up round third couple, dance up between second couple with nearer hands joined and cast off into second place. Second couple move up on bars 7-8.
9 – 12 First couple advance and retire with first corners.
13 – 16 First couple dance back to back with first corners.
17 – 20 First couple advance and retire with second corners.
21 – 24 First couple dance back to back with second corners.
25 – 32 Second, first and third couples dance six hands round and back.
Repeat having passed a couple.
“The Mad Hatter” was devised by Iain Boyd.
Wisp of Thistle
RSCDS Book XXXVII No.4
(Strathspey)
Music Description
Bars
1 – 4 1st and 3rd couples dance “Petronella turns” into the middle of the dance (1st man and 3rd woman back to back) and set to partners.
5 – 8 1st and 3rd couples dance a half reel of four.
9 – 10 3rd and 1st couples dance “Petronella turns” to own sides. (3rd couple are in first place and 1st couple in third place.)
11 – 12 3rd, 2nd and 1st couples set joining nearer hands on the sides.
13 – 16 3rd, 2nd and 1st couples turn partners with right hand to finish ready for allemande.
17 – 24 3rd, 2nd and 1st couples allemande.
25 – 28 1st couple cross over giving right hands and cast off one place. 2nd couple step up on bars 27–28.
29 – 32 1st couple dance a half figure of eight round 2nd couple.
Repeat, having passed a couple.
Note: At the end of their second turn at the dance, 1st couple finish the half figure of eight by dancing down to fourth place while 4th couple step up to third place on bars 31–32.
Choreographed by Pat Kent in honour of Her Majesty Queen Elizabeth, the Queen Mother, who, when she had seen the Scottish Country dancers perform in the Tattoo in Nova Scotia, stated that they looked like “wisps of thistle”.
Devised by Pat Kent (Nova Scotia Branch).
THE MOUNTAIN STREAM
Graded and Social Dances 3, devised by Roy Goldring
32 bar Reel for 2 couples
Bars
1 – 8 1st woman and 2nd man set twice then turn with right hands. They finish in place.
9 – 16 1st man and 2nd woman set twice then turn with left hands. They finish in place – 1st man facing out.
17 – 24 1st man, followed by his partner, casts behind 2nd man, crosses up between 2nd couple, casts behind 2nd woman and crosses to 2nd place on own side.1st woman finishes in 2nd woman’s place. 2nd couple step up on bars 23-24.
25 – 32 2nd and 1st couples dance right hands across and left hands across.
Repeat having passed a couple.
Tune: Miss Jean Donaldson’s Hornpipe (Traditional – James Walker 1st Collection)
THE PIPER AND THE PENGUIN
The Scotia Suite of Scottish Country Dances devised by Roy Goldring
(Reel for Four Couples in a Square Set)
Bars Description
1 – 4 The women dance round their corners, passing in front of them to begin.
5 – 8 The women dance right hands across and remain in the centre.
9 – 12 The women dance round their partners, passing in front of them to begin.
13 – 16 The women dance left hands across and finish in original places.
17 – 32 The men repeat bars 1–16, but dance in front of partners before dancing right hands across, and in front of their corners before dancing left hands across.
33 – 36 1st and 3rd couples, giving right hands, turn partners one and a quarter times.
37 – 40 1st man, followed by his partner, dances between 4th couple and cast back to place. Similarly, 3rd couple dance between 2nd couple and cast back to place.
41 – 48 1st and 3rd couple dance rights and lefts.
49 – 64 2nd and 4th couples repeat bars 33–48, 2nd couple dancing between 1st couple and 4th couple dancing between 3rd couple.
65 – 72 The women dance in and pull back right shoulders (2 bars), dance out (2 bars), and cast clockwise half way round the set to opposite woman’s place.
73 – 80 The men repeat bars 65–72, but pull back left shoulders at the end of bar 74, and cast anticlockwise.
81 – 84 All turn partners with the right hand, just over once round, to finish in promenade hold facing anticlockwise.
85 – 88 All promenade halfway round the set. On bar 87, all release right hands and the men lead their partners to original places ready for the bow and curtsey.
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