Wednesday, February 8, 2012

Dances for February 9, 2012

Last week was quite challenging. This week should be a little easier. We have decided to include a dance from the Belleville Ball program - Cadgers in the Cannongate. There are a few in the class going to the workshop and this is a good dance to know.


Beach Dancer
A 32 bar Jig for 3 couples in a 4 couple longwise set
For Margaret Blackhall, a teacher at Kamo Club who lives on the coast at Ngunguru.
Devised by Eddy West 2003.

1-4    First couple set and cross giving right hand.
5-8    First couple set to second couple and change places on the side giving left hands (men remain facing out).

9-16    Second and first couples dance a ladies chain, first man finishes facing out. First couple must continue into the next figure without hesitation.

17-20    First man casts down round third lady and crosses to third place, own side then casts up behind third man to second place, first lady follows to own side third place then dances up the middle to second place on own side.
21-24 First and second ladies, and at the same time first and second men, turn giving left hands.

25-32 Second, first and third couples dance reels of three on the sides, first couple passing third couple right shoulder to start.
Repeat having passed a couple

Suggested recorded music "Over the Pond II" - Sound Company CD "On Track".



Cadgers in the Canongate
RSCDS Book 9 – No. 10
48-bar reel for three couples in a four-couple longwise set

Bars                        Description

1 – 8    1st couple dance reels of three, 1st woman with 2nd and 3rd men and 1st man with 2nd and 3rd women. To begin 1st woman crosses down to pass 3rd man by the left and 1st man dances across to partner’s place to pass 2nd woman by the right. 1st couple finish in partner’s original place. (Note 1)

9 – 16    1st, 2nd and 3rd couples dance reels of three on own sides. To begin 1st man crosses down to pass 3rd man by the left and 1st woman dances across to original place to pass 2nd woman by the right. 1st couple finish facing 2nd woman.

17 – 18    1st couple, giving nearer hands, set to 2nd woman.

19 – 20    1st couple, with two pas de basque, move round to face 2nd man. (Note 2)

21 – 22    1st couple set to 2nd man.

23 – 24    1st couple, with two pas de basque retire to places.

25 – 28    1st and 2nd couples set, and dance right hands across halfway round.

29 – 32    2nd and 1st couples set, and dance left hands across back to places.

33 – 36    1st couple, giving right hands, cross over and cast off one place on opposite sides. 2nd couple step up on bars 35-36.

37 – 40    1st couple, giving left hands, turn one and a half times to finish in second place on own sides.

41 – 48    2nd and 1st couples dance rights and lefts.

Repeat, having passed a couple.


Notes:
1.    In some areas, on bar 8, 1st woman dances across the top of the set to original place while 1st man dances across from 2nd woman’s place to his original place. To begin the second reels, 1st and 2nd man and 1st and 2nd woman pass by the right.
2.    In bars 19-22, 1st couple retain nearer hands throughout.

Walsh’s Caledonian Country Dances, c. 1748.

Original Tune: Cadgers in the Canongate (Walsh’s Caledonian Country Dances c. 1748) but more usually danced to John McNeil’s Reel (Peter Milne).

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TACNotes:’
1-8    1st cpl finish reel in partner’s place. 1st man dancing short way into place (i.e. no loop).
9-16    1st couple follow partner’s track but finish in middle, 1st woman on her partner’s left.




   
Miss Milligan’s Strathspey
RSCDS Leaflet — No. 20
(Strathspey)

Music                                      Description
Bars
1 – 4    1st and 2nd couples dance four hands round to finish, 1st couple facing down, 2nd couple facing up, nearer hands joined.

5 – 6    1st and 2nd couples set. On the second step, 1st couple turn towards each other to face up.

7 – 8    1st couple cast off to second place, while 2nd couple dance up to first place and face out.

9 – 16    2nd, 1st and 3rd couples dance reels of three on own sides, all joining nearer hands with partner where possible. 2nd and 3rd couples turn the long way round to places.

17 – 18    2nd, 1st and 3rd couples set.

19 – 20    2nd and 1st couples turn partners by the left hand halfway round, to finish facing down the dance.

21 – 24    1st couple, followed by 2nd couple, lead down, cross over below 3rd couple and cast up to original place.

Progression:  “The Knot”
25 – 26    1st and 2nd couples turn partners halfway round by right hand to finish in the centre, facing down, the woman turning clockwise under her partner’s arm to allemande position.

27 – 28    2nd couple, followed by 1st couple, dance up the woman’s side of the dance to positions as in.

29 – 32    2nd and 1st couples turn partners by the left hand to own sides.




The Wellingtonia Reel
12 Scottish Country Dances  devised by Mervyn Short                                   
32 bar Reel for 3 couples

Bars

1 – 4    1C & 2C set and link, 1M finish facing out.
5 - 8    1M, followed by partner, casts up and dances down the middle to finish facing 3M, 1W faces 2M.

9 – 16    1M with 3C and 1W with 2C dance reels of three across, passing right shoulders to begin; finish as started.

17 – 20    1M & 3M and 1W & 2M turn right hands.
21 - 24    1M & 3W and 1W & 2W turn left hands, 1C finish in the centre facing down, (1M between 3C, 1W between 2C).

25 – 28    1M followed by partner, casts up one place on men’s side and dances across to the opposite side in second place. 1W finishes in second place on the men’s side.
29-32    1C turn right hands one and a half times, to finish in second place own sides.

Repeat having passes a couple.

This dance was inspired by the magnificent Wellingtonia trees near Finchampstead, Berkshire which I regularly travel past on the way to class.

Tune:  The Burnt Leg


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